BOOKS:
Julie Otsuka’s – THE BUDDHA IN THE ATTIC – I’m halfway through this lean yet muscular book. Her writing is elegant and understated. With stylistic bravado, Otsuka manages to convey worlds and lives using the plural “WE “for the Japanese women who came to San Francisco as ‘picture brides’. Like an impressionist painting, to take a step back, is to see the harrowing, heartbreaking, hopeful, tenuous, and occasional joy of the journey in its entirety.
Carol Rifka Brunt’s (young adult) TELL THE WOLVES I’M HOME – Is a different coming of age story about the bond of a young girl, June and her Uncle Finn, the renowned reclusive painter. "The only person in the world who has ever understood her." When her Uncle falls ill, June finds comfort in the unlikeliest of places; a mysterious stranger her mother is bent on destroying. It’s a heartfelt, compassionate book about love and loss and what makes someone shine so brightly in our hearts that they live forever.
It’s about how we hurt one another without trying, by simply moving forward in our lives into adulthood and the people we inadvertently leave behind. The parallel theme of siblings depending on one another and the jealousies and misunderstandings along the way rings true and deep. Brunt’s book is a charming, beautiful debut.
From the book flap: An emotionally charged coming-of-age novel, Tell the Wolves I’m Home is a tender story of love lost and found, an unforgettable portrait of the way compassion can make us whole again.
BRANDO:
RENTAL:
GATTACA – (1997) Starring Ethan Hawke, Uma Thurman and Jude Law.
For its ambiance and thought provoking premise. I don’t know how this one slipped by me years ago. I’d forgotten how Jude Law has a shadow quality to his performances that conjure up ideas of the dark life he’s lead. He’s riveting. In the not too distant future, society has the tools to pre-implant children with the best hereditary traits of their parents. These people are known as ‘valids’. Those born the old-fashioned way are known as ‘in-valids’ because of their predispositions to such things as diseases, ‘heart trouble’ and physical inferiority. I wouldn’t be ‘valid’ for sure at 5’2 and with my bad eyesight (glasses/contacts needed) I’d be a goner.
The in-valids get the menial jobs and the valids get jobs like the space program, that apparently takes off behind the Marin Civic Center ( ha ha. It was great to see the Frank Lloyd Wright building put to terrific use and fit right in with the futuristic society). Also interesting is the pool treadmill, I don’t know if it was in use back then, but I’d recently seen an interview with Michael Phelps and I believe he had something similar in his gym.
The movie is thought provoking for its idea of pre-empting/meddling with destiny, the result is seen symbolically in Ethan Hawke’s swimming competitions with his genetically perfect brother. And then of course there’s the genetic profiling and the lengths someone like Ethan Hawke will go, to beat out what society has set for him, in order to find his own place in the world. I’m still not convinced (spoiler coming) the professor killed the dead guy and that Ethan didn’t. Maybe he was in cahoots with the doctor who let Ethan get on the space shuttle for exactly the same reason.
Nabokov’s use of doubles. I think Vlad would have loved the use of doubles in this film. First there is Ethan Hawke’s alias and his old self, and then there is his battle with his brother, both indistinguishable in the dark as they compete in the ocean. The ocean scenes were genius. In the dark you couldn’t tell who was winning, who was the stronger of the two. And then there’s Ethan’s revelation at the end when his brother asks how he does it? Ethan's answer could be his motto for life---Spoiler coming----“I never save anything for the swim back.” More intriguing is Ethan and Jude Law’s characters, like two parts of the same person. In the end, each gives something invaluable to the other. And, as with doppelgangers (at least in literature and the movies), one has to die so that the other can live.
DAYBREAKERS: Ethan Hawke (again). Coincidentally, I also caught this Ethan Hawke film. Maybe it was Ethan Hawke marathon week or something. Also, coincidentally (is that a double double?) this movie is set in the future, the year is 2019. And a plague has devastated mankind. Interesting in that the cure (spoiler coming) comes from the infected blood of someone who has survived ‘daybreak’. It’s a different kind of vampire movie. The movie is more about politics and ethics than teenage crushes and the dangers of first love (although I like that too! Can’t wait for the last installment of Twilight) or even horror (Salem’s Lot). Once again, Ethan Hawke is in a movie about a dominant race taking advantage over an inferior (?) one.
But I think hands down, my favorite Dracula is Gary Oldman’s creepy, long nailed, white-haired-bouffant-flowing, red velvet floating, separating-shadow creeping, furious warrior in red-looking Samurai ( that bears a striking resemblance to The Last Samurai’s warrior armor) Vlad in Bram Stoker’s-Francis Ford Coppola’s 1992 version. I don’t even think that’s a sentence. (Two Vlads. The impaler and the writer. Another double-double. Must be a full moon).
LOOKING FORWARD TO:
Keira Knightley in ANNA KARENINA with Jude Law and Aaron Taylor-Johnson (Kickass). Gosh the cast looks so promising. This will be Keira’s third collaboration with director Joe Wright who worked with her on two of my favorite, cinematically gorgeous, movies: ATONEMENT and PRIDE AND PREJUDICE (I still can’t believe that was Carey Mulligan playing the silly sister, what was her name, Kitty? But of course I can because she was sooo good.).
HOTEL TRANSYLVANIA – The animated cartoon with Selena Gomez as the little vampire that wants to fly the coop. Because I love all things safe-scary-halloweeny.
THE MASTER – starring Joaquin Phoenix (I’ve missed him!) and Philip Seymour Hoffman. My husband and I love all things PT Anderson. And I’m really looking forward to this story of a young naval veteran returned from war who is mesmerized by a charismatic leader. Reviews are out and raves for Hoffman and Phoenix are jumping off the page.
LINCOLN – Starring Daniel Day Lewis and Joseph Gordon Levitt as Lincoln’s son.
BASEBALL:
What? SF Giants and Oakland A’s in playoffs! Wheh-hew! Go Cali!
No comments:
Post a Comment